Reviews
                         
             
 

Minnesota Monthly
July, 2006

by Jim Meyer
Child-rearing delayed the solo career of this music scene veteran, but the mysterious Ms. Muchmore of Mound (or is it a James Bond movie?) is long overdue for local acclaim. With creative partner Todd Mikkelson, she's created a Midwestern answer to Eurythmics, with an album showcasing her sensual vocals, refreshingly uncynical romantic lyrics, and highly skilled song arrangements. She calls her sound "soulful electropop", though the album includes clever pop-rock forays and ends with a dazzling Lee Hazlewood/Nancy Sinatra tribute.

This Befuddled Universe
January 7, 2006
www.befuddled.org

Just a Cherry
gets a rating of 6
(5=perfect)
by Tim Null
While I was listening to Just a Cherry I became hopelessly addicted to Emmaline Muchmore's music.  In a nutshell, Emmaline Muchmore performs pop and electronic music. She has a singing voice that occasionally sounds like Annie Lennox, the electro-pop styling of Shirley Manson (Garbage; see “Androgyny''), and powerful pipes that equal Taylor Dayne or Donna Summer. And to top everything off, she's got legs that don't quit!

It is well known that I love women with big voices who can slide back and forth from silky-soft to brassy-bold with the ease of a trombone. Well, as a vocalist Emmaline Muchmore was created right to my spec.

I won't attempt to interpret her songs. The magic and the mystery is in  “the stew.'' She starts with a simple concept or metaphor to establish a mood, then adds additional layers. For example, in “Distorted'' Muchmore begins with a mythical past, then moves to the present, and finally speculates on the future. While this is all going on, she takes the opportunity lyrically to make a few comments and observations about the state of life in the world today. Personally I haven't delved too deeply into her lyrics - I'm way too busy getting my groove on!

People were starting to say that I would never give out a rating of 6 (5=perfect). After all, how can a CD be better than perfect? Well, it is easy when the CD is flockin' unbelievable from beginning to end.
see full review and interview

Luna Kafe
February 14, 2006

www.lunakafe.com

by Anna Maria
Emmaline Muchmore follows her promising debut with a strong new record. The groovy "Coming up for Air" sees her singing sensuously to a techno beat. The aptly titled "Siren Song" is an eerie composition in its starkness. It sounds like a softer Goldfrapp. "Special" is Muchmore's answer to Blondie's "Rapture". The white girl rap thing is done with gusto. "Jimmy's Gotta" is a country rock song done well. She's quite a chameleon. A cover of the Lee Hazlewood song "Sundown, Sundown" with the singer doing Nancy Sinatra's bit and her collaborator Todd Mikkelson filling Hazlewood's cowboy boots closes the album nicely. She's taken the best elements of her debut and developed from there. This album is very nicely put together.

Copyright © 2006 Anna Maria

 

 

 

Minnesota Speaks With a Strong New Voice:
Emmaline Muchmore

by Steven Nathan
Getgigs.com
January 2003
Over the past several months, I have been listening to a cd called Inviolate sent to me by Emmaline Muchmore. I would listen to her cd, put it away for awhile as I listened to other music, but I kept coming back to her cd. I was drawn to Emmaline by her dynamic voice, strong sense of purpose, and desire to put her all out there for everyone to hear. While Emmaline had formal musical training on clarinet and piano, she is self-taught on guitar and vocals; and it is her strong vocal style that kept me coming back and will keep you coming back as well.

Strongly influenced by such female vocalists such as Anita O’Day, Ella Fitzgerald, June Christy, Lauryn Hill, Eryka Badu, Gwen Stefani, Dolly Parton and Anita Baker, Emmaline finds inspiration in various genres of music including groove-heavy electronic music and infectious pop. As Emmaline puts it “I am inspired by strong performers regardless of genre. I admire people that give it their all on stage, put on a show and connect with their audience.”

...What continues to draw me to Emmaline is the strength of her voice. I asked Emmaline if she was even aware of how powerful her voice was. As Emmaline told me, “people at my shows seem to be impressed and happily surprised to hear a strong female singer. Particularly in the independent music world, a strong singer that doesn’t get drowned out by her band is sort of rare.” It is not only the strength of Emmaline’s voice, but her confidence as well. When I asked Emmaline about her confidence, she responded that “the confidence you hear in my music comes from the fact that I really enjoy expressing myself with my voice and I am very comfortable inside my voice. I also really love to perform and to connect with the audience, whether live or on my recording. I feel confident in my ability to create a vocal line that will grab and hold people’s attention, and I strive for that connection and communication.”

Emmaline is a rare combination of sensuality and strength that I found infectious, and that I believe you will too.

Collected Sounds
Women in Music
May-June, 2002

Emmaline Muchmore's debut CD is a charmer. A mix of jazz, techno and trip-hop and pop. There's a little Portishead ("Coming Down") here as well as a little 80s rock ("Inviolate").

My personal favorite is "Evie Slow Down" it's a story song with a great jazzy sound and haunting background vocals. This one could have been on Jilly Tracy's CD, "Diabolical Streak". I love this part:

In a flash I felt my fingers on the cold of the knife And then it jumped out and bit him like it had its own life I know it'd help but I'll be damned if I'll cry He knew what he was doing and so did I

Emmaline's lyrics in general are fantastic. She's a great storyteller painting vivid images in the mind. This talent combined with her strong, gutsy voice and driving beats makes this is one to watch.

© copyright 1999-2002 Whimsical Productions All Rights Reserved

 

 
Mish Mash Music
June, 2002 issue #43
mashmusic.tripod.com

She's got a name that almost sounds like it could be out of a James Bond flick, and much like Mr. Bond's movies, the songs presented here on Inviolate are mostly hit and miss. But, when Emmaline hits, she hits hard enough to be a classic.

Emmaline's voice is a gem, filled with unbridled soul. So, when she gets a good song, nothing can stop her. Most of the memorable songs follow a smooth drum-n-bass type groove, using abstract hip-hop rhythms and beats---this is when she's at her best. Evie Slow Down is a great example with it's catchy progressions and mysterious sultry vocal delivery. It's a great mix, and the song just comes alive. Yet, the best song on the disc is by far Coming Down, a track that lets Emmaline's vocal talents shine. It utilizes the trip-hop beat without being overbearing, which allows her to sing her heart out. The chorus is super catchy and downright infectious. I couldnÕt stop hitting the repeat button on this one, and it is honestly one of my favorite songs from the past year.

The rest of the album is good, don't get me wrong, but it doesn't quite live up to the potential the best songs would suggest. With a little tweaking of her sound, Emmaline could easily be the next big pop star. Until then, grab this disc so you can say you heard her first.

MISH MASH Mandate: The Spy Who Grooved Me

Fuzz Logic
May 26, 2002

www.fuzzlogic.com

by Anna Maria
American singer Emmaline Muchmore has a bold, brassy voice and a sound that takes in pop and rock. Her songs are intriguingly written tales.

"Coming Down" sounds anthemic with big sweeping choruses and a dynamic lead vocal. "Inviolate" has Muchmore switching between a half spoken delivery and shouting. The instrumental backing is full of bombastic guitars. "Evie Slow Down" is soulful and filled with tension. The lyric deals with a murderous femme fatale who might have walked straight out of a 1940's film noir. The bluesy, trip-hop influenced "Bessie" is as good as anything Portishead has ever done. Inviolate is a powerful record.

Copyright © 2002 Anna Maria Stjärnell © 2002 FuzzLogic

Northland Reader
October 26, 2000
by David Roper

6 song EP

Beware: Listening to Emmaline Muchmore may have long-lasting, addictive effects. Prolonged exposure to her songs may force you to become a fan, buy her albums, and attend her concerts.

What can I say; it was love at first sight. I instantly fell for her laid back rhythms and rough edge. Muchmore is a bad ass. I want to bear her children. This singer/songwriter strikes deeper into the passion that is music on this six song EP than most artists do in an entire career. What makes this album special is its sensuality and raw sexual energy. This is music to make love to. This is Barry White for the new millenium. In Muchmore's case, it isn't a question of when she'll make it big; it's a question of why it hasn't happened yet.

If I had to rate this album, I'd give it 30 stars, a 17 out of 10, and eight thumbs up (alright, I'd have to give the album at least one thumb down for having only six songs, but who's counting). The bottom line is that you should go out and buy her album and see her shows while you can (at least affordably). Emmaline Muchmore is an A-bomb of musical talent just waiting to explode, and when she does hit you better look out; it isn't going to be pretty.